Critical analysis school athens high renaissance italian f

Raphael used iconography to represent those philosophers with no known visual image such as Epicurus. The frescoes, located on the walls of the Stanza, include images descriptive of philosophy, poetry, law, and theology.

Its pictorial concept, formal beauty and thematic unity were universally appreciated, by the Papal authorities and other artists, as well as patrons and art collectors.

School of Athens continues to drive discussion and analysis among art historians and scholars. However, the compilation of famous Greek philosophers followed the intended theme of the fresco to seek knowledge through philosophy.

Facing the venerable Venetian scientist Zeno, is Epicurus, crowned with grape leaves, presumably defending the principle of hedonism. Located on the upper floor of the Vatican palace, this room was used by the Pope as a library.

The other statue is Athena, the Greek goddess of wisdom, shown in her Roman form as Minerva. Italian Florentine "The School of Athens". The two philosophers and their gesturing make a point which is the core of the philosophy of Marsilio Ficino: At his side is Aristotle, in turn holding his Ethics and pointing to the earth.

In this painting, you see around 60 Greek philosophers arranged in a very large hall. In contrast, his student Aristotle is shown as a younger, handsome man looking to his teacher.

Theology, Poetry, Philosophy, and Justice, corresponding to the main fields of scientific knowledge.

Plato on the left and Aristotlehis student, on the right. On the wall you can see paintings and statues. See how certain hues act as reference points across the canvas. Responsible for numerous altarpieces, such as The Sistine MadonnaGemaldegalerie Alte Meister, Dresden and The TransfigurationPinacoteca Apostolica, Vaticanas well as other examples of religious arthe also produced several famous Renaissance portraits of ecclesiastical and secular subjects - such as Portrait of Baldassare CastiglioneLouvre and Pope Leo X with CardinalsGalleria Palatina, Pitti Palace, Florence.

Over to the right, identified by the crown he wears, is the geographer Ptolemy, holding the globe of the earth.

The fresco also includes images of statues within the school displayed within the school. The human figure, the landscape, the treatment of deep space, and realistic representation was important.

While Plato and Aristotle serve as the central figures of the fresco, the other philosophers depicted lived at various times and were not necessarily their contemporaries.

It was the second mural painting to be finished for the Stanza della Segnatura, after La Disputa, on the opposite wall, and is regarded as one of the greatest Renaissance paintings. The painting shows this. Both figures hold modern of the timebound copies of their books in their left hands, while gesturing with their right.

In strong contrast in front of him is Xenocrates others say Parmenides. Mimaut mentioned in the 19th century nine statues at Serapeum of Alexandria holding rolls.

In the foreground, to the right of Aristotle, Raphael placed the High Renaissance architect Donato Bramante in the person of Euclid, who is pictured bending over a table and demonstrating a theorem with the aid of a compass.

Plato and Aristotle are deep in conversation while walking through the other figures. He has used contour lines with domes and actual line with figures. The child at the side of Epicurus, clearly indifferent to the speculations of the thinkers, seems to be Federico Gonzagalater Federico II of Mantua of the famous Gonzaga family of Renaissance patrons and collectors.

How to Appreciate Paintings. By contrast Aristotle, slightly ahead of him, is in mature manhood, handsome, well-shod and dressed with gold, and the youth about them seem to look his way. The young man at their side and facing the viewer is supposedly Raphael himself in the company of Sodoma white robethe artist who preceded Raphael in the decoration of the ceiling of the Signature room.

It symbolizes philosophic thinking and the search for truth.The School of Athens () By Raphael: Evaluation, Meaning of High Renaissance Fresco Painting.

The School of Athens by Raphael Interpretation and Analysis of High Renaissance Fresco Painting, The Vatican MAIN A-Z INDEX. The School of Athens • For more about the Italian High Renaissance, see our main index: Homepage. Thesis on Critical Analysis "The School of Athens" High Renaissance: Italian (Florentine) "The School of Athens".

Wall fresco. Signature room, The Vatican, Rome: Raphael. will help you with ideas for your own coursework. Download now. Critical Analysis "The School of Athens" High Renaissance: Italian (Florentine) "The School of Athens".

Wall fresco. Signature room, The Vatican, Rome: Raphael. School of Athens was the second fresco completed in the room and depicts Raphael”s interpretation of philosophy as a branch of knowledge. Showing a gathering of Greek philosophers engaged in various activities, the fresco is considered a prime example of High Renaissance art and considered Raphael”s masterpiece.

History, “Regardless of the background or direction brought to the fresco, School of Athens shows the depth of Raphael’s artistic talent, including the ability to integrate four different frescos to a connecting theme.

philosophy or deeper meaning is associated to the various gestures and details, School of Athens continues to provide a beautiful view into High .

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Critical analysis school athens high renaissance italian f
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